Traffic rushes by as if nothing has happened. But beside the road, the rubble is smoldering, and firefighting helicopters are circling overhead. Ten minutes in, this is the first specific image we see of the devastating explosion that took place on 4 August 2020 at the Port of Beirut. Until this point, its presence in the film has been indirect—a man smoking beside a broken window, the distant sounds of ships’ horns and sirens.
Octopus (2021)
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