HM

Personal Info

Known For

Camera

Known Credits

2

Gender

Male

Birthday

1894-08-02

Deathday

1974-05-10 (79 years old)

Place of Birth

San Francisco, California, USA

Also Known As

  • Harold Leon Mohr

Hal Mohr

Biography

Hal Mohr, A.S.C. (August 2, 1894 in San Francisco – May 10, 1974 in Santa Monica, California) was a famed movie cinematographer. He is known for his Oscar-winning work on the 1935 film, A Midsummer Night's Dream. He was awarded another Oscar for his work on The Phantom of the Opera in 1943, and received a nomination for The Four Poster in 1952. From a young age, Hal Mohr wanted to pursue a career in cinematography because he was curious to learn about how to make pictures move onscreen. He worked as a photo finisher in a photo lab to gain experience with the camera. When he was 19 years old, he filmed his first movie, Pam's Daughter, which, unfortunately, was never seen by the public because of problems with the motion picture distribution company.

Although Mohr mainly worked as a cinema portraitist on movies such as The Wedding March, A Midsummer Night's Dream, and the Technicolor The Phantom of the Opera, he was passionate about exploring the limits of the camera. Mohr shot in deep focus years before Gregg Toland -- Bullets or Ballots and The Green Pastures were both shot in deep focus.

He was inspired by the moving shots in the Italian movie, Cabiria, and developed a camera with special tracking abilities for his 1914 film, Pan's Mountain.

Notably, Mohr is the only person to have won a competitive Academy Award without being nominated for it. In 1936, a write-in campaign won him the Best Cinematography Oscar for his work on A Midsummer Night's Dream (1935). The Academy later changed the Oscar rules, making write-in voting impossible. In 1944, Mohr became the first person to win an Oscar for both Black-and-White and Color cinematography when he won his second Academy Award, this time with W. Howard Greene for Best Cinematography in a Color Film, for their work on The Phantom of the Opera (1943).

Mohr was nominated for an Academy Award for Best Cinematographer for his work on The Four Poster (1952), a film based on a play of the same name, written by Jan de Hartog. He was also nominated for a Golden Globe for Best Cinematography in a Black and White Film, for his work on the same movie.

Other film cinematographer credits include Little Annie Rooney (1925), The Big Gamble (1931), Cheers for Miss Bishop (1941), Another Part of the Forest (1948) and The Wild One (1953).

Mohr served as president of the American Society of Cinematographers from 1930 to 1931. Then, for two terms from 1963 to 1965 and finally from 1969 to 1970. He was one of the first members of the Academy of Motion Picture Arts and Sciences, and a senior member of the Academy's Board of Directors. He headed the Academy's Cinematography Branch for over 20 years, and was also a part of the Academy of Television Arts and Sciences. Before his death, he would travel the country promoting cameramen and the industry of cinematography.

For his many contributions to motion pictures and the film industry, Hal Mohr received a star on the Hollywood Walk of Fame located at 6433 Hollywood Blvd.

Known For

I Met My Love Again
5.5%

I Met My Love Again

Jan 14, 1938

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Acting

1979
The Man You Loved to Hate as Self (archive audio)
1938
I Met My Love Again as College Student (uncredited)

Camera

1968
The Bamboo Saucer as Director of Photography
1967
Jack and the Beanstalk as Director of Photography
1965
Invisible Diplomats as Director of Photography
1963
The Man from the Diners' Club as Director of Photography
1962
The Creation of the Humanoids as Director of Photography
1961
Underworld U.S.A. as Director of Photography
1960
The Barbara Stanwyck Show as Director of Photography
1960
The Last Voyage as Director of Photography
1958
The Gun Runners as Director of Photography
1958
The Lineup as Director of Photography
1957
Baby Face Nelson as Director of Photography
1956
The Boss as Director of Photography
1956
Hot Cargo as Director of Photography
1953
The Wild One as Director of Photography
1952
The Member of the Wedding as Director of Photography
1952
The Four Poster as Director of Photography
1952
Rancho Notorious as Director of Photography
1951
The Big Night as Director of Photography
1950
Woman on the Run as Director of Photography
1950
The Second Woman as Director of Photography
1949
Johnny Holiday as Director of Photography
1948
An Act of Murder as Director of Photography
1948
Another Part of the Forest as Director of Photography
1947
The Lost Moment as Director of Photography
1947
Song of Scheherazade as Director of Photography
1947
I'll Be Yours as Director of Photography
1946
Because of Him as Director of Photography
1945
Salome, Where She Danced as Director of Photography
1945
Her Lucky Night as Director of Photography
1944
Enter Arsène Lupin as Director of Photography
1944
The Climax as Director of Photography
1943
Top Man as Director of Photography
1943
Watch on the Rhine as Director of Photography
1943
Phantom of the Opera as Director of Photography
1942
Lady in a Jam as Director of Photography
1941
International Lady as Director of Photography
1941
Pot o' Gold as Director of Photography
1940
When the Daltons Rode as Director of Photography
1939
Destry Rides Again as Director of Photography
1939
Rio as Director of Photography
1939
Back Door to Heaven as Director of Photography
1938
I Met My Love Again as Director of Photography
1936
Ladies In Love as Director of Photography
1936
The Green Pastures as Director of Photography
1936
Bullets or Ballots as Director of Photography
1936
The Walking Dead as Director of Photography
1935
Captain Blood as Director of Photography
1935
A Midsummer Night's Dream as Director of Photography
1934
Servants' Entrance as Director of Photography
1934
Change of Heart as Director of Photography
1934
David Harum as Director of Photography
1933
The Devil's in Love as Director of Photography
1933
I Loved You Wednesday as Director of Photography
1933
The Warrior's Husband as Director of Photography
1933
State Fair as Director of Photography
1932
Tess of the Storm Country as Director of Photography
1932
The First Year as Director of Photography
1932
Week Ends Only as Director of Photography
1932
Lady with a Past as Director of Photography
1932
A Woman Commands as Director of Photography
1931
Devotion as Director of Photography
1931
The Big Gamble as Director of Photography
1931
A Woman of Experience as Director of Photography
1930
Outward Bound as Director of Photography
1930
The Czar of Broadway as Director of Photography
1930
Big Boy as Director of Photography
1930
King of Jazz as Director of Photography
1929
Shanghai Lady as Director of Photography
1929
The Last Performance as Director of Photography
1929
Broadway as Director of Photography
1928
The Last Warning as Director of Photography
1928
Noah's Ark as Director of Photography
1928
Glorious Betsy as Director of Photography
1928
Tenderloin as Director of Photography
1927
The Jazz Singer as Director of Photography
1927
Old San Francisco as Director of Photography
1927
The Heart of Maryland as Director of Photography
1926
The Third Degree as Director of Photography
1926
Sparrows as Director of Photography
1926
The Marriage Clause as Director of Photography
1925
Little Annie Rooney as Director of Photography
1925
The Monster as Director of Photography
1923
Bag and Baggage as Director of Photography
1917
The Big Idea as Director of Photography

Crew

1969
Topaz as Technical Advisor
1958
No Time at All as Cinematography
1955
Day is Done as Cinematography
1929
The Honeymoon as Cinematography
1924
Vanity's Price as Cinematography
1923
The Strange Adventures of Prince Courageous as Cinematography

Directing

1937
When Love Is Young as Director
1917
The Big Idea as Director
1917
Perils of the Secret Service as Director

Writing

1917
The Big Idea as Writer
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Hal Mohr